Critical Notes
Setting Free the Screens
Mohamed Challouf and “Awakening” Arab-African Cinema at the Academy of Fine Arts in Naples.
Ken Russell’s Incendiary Masterpiece, Just as the Director Intended It
The Director’s Cut of The Devils arrives in Italian cinemas in a restored version.
Laughing at the Disaster, After the Disaster
An Apology for Digger (or The Unpredictable Vice of Intellectualism).
Touch of Evil in Italian Cinemas Starting Today
Orson Welles’s noir masterpiece returns to theaters in a restored and “reconstructed” version.
What Makes Us Unyielding?
The Representational Metamorphosis of the Artificial in Cinema, from Spielberg’s A.I. to Kore-eda’s Sheep in the Box.
Bruce Springsteen and cinema: a relationship with deep roots
Critical reflections on the American rocker's love of film, as Nanni Moretti includes him in his new Succederà questa notte.
Revisiting Palombella Rossa as Moretti returns to Venice
When Nanni reflected on "a century now drawing to a close".
A Brief Critical History of the X-Men Phenomenon
As the new Marvel mutants movie takes shape (with the announcement of the first cast members), here is a look at who these beloved comic book characters are and where they come from.
A "political" re-examination of Moretti's film twenty years later
Il Caimano and the Waldusconi saga.
